© Sebastian Wasner
TRIEB is a dance movie that explores the emotional state of aggression. It shows the inner world of a subject who is unwilling to act on its environment out of feelings, but indulges in fantasies and desires that arise out of its aggressive state.
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FUSS ZUM KOPF ("Foot to Head") deals with the musicality of aggression and explores the impact of intense feelings that sometimes insidiously, sometimes furiously take over our bodies. By zooming in and out, repeating, accumulating and dissecting aggressive behavior in the form of violence, the piece illuminates inner states and searches for expression - states characterized by tension, excitement, frustration, longing, destructive rage and helplessness. Fighting scenes in films serve as a source of inspiration, based on film stunt choreographies. Movement patterns are derived from cinematically staged fight scenes and developed into a dance - a fusion of contemporary dance and film stunts with live electronic sounds.
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„KOHLE SAUER WASSER proposes a way of thinking about movement, a reflection on our influence with the environment.Set within a mass landscape filled with recycled plastic, it questions the relationship between the body, to the material society, to the individual and to the environment, becoming and dissolving.The movement duet is an allegory about how people act and relate to each other, and how that echoes into the environment. Our thoughts and actions influence the world, reflecting on consequences and how that influences identity, community, environment and our futures.“(Dance Cinema)
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TRISTES DÉSERTS – A Robot´s Tale is the filmic-musical result from the baroque- and sci-fi-inspired collaboration between artist Stephanie Winter, tenor August Schram and electronic duo Austrian Apparel. Originating in the idea of an audiovisual realization of M.A. Charpentier's lyrical song "Tristes Déserts" and motivated by the constant interaction of image and sound, a baroque-intergalactic musical short film was developed, in which the boundaries between human and machine, between baroque music and electronic sounds become blurred. In a time dominated by artificial intelligence, the extravagant musical short film tells the story of a lonely baroque robot in a battle between good and evil, recalling the magic of the early cinema.
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TRIEB is a dance movie that explores the emotional state of aggression. It shows the inner world of a subject who is unwilling to act on its environment out of feelings, but indulges in fantasies and desires that arise out of its aggressive state.
•
FUSS ZUM KOPF ("Foot to Head") deals with the musicality of aggression and explores the impact of intense feelings that sometimes insidiously, sometimes furiously take over our bodies. By zooming in and out, repeating, accumulating and dissecting aggressive behavior in the form of violence, the piece illuminates inner states and searches for expression - states characterized by tension, excitement, frustration, longing, destructive rage and helplessness. Fighting scenes in films serve as a source of inspiration, based on film stunt choreographies. Movement patterns are derived from cinematically staged fight scenes and developed into a dance - a fusion of contemporary dance and film stunts with live electronic sounds.
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„KOHLE SAUER WASSER proposes a way of thinking about movement, a reflection on our influence with the environment.Set within a mass landscape filled with recycled plastic, it questions the relationship between the body, to the material society, to the individual and to the environment, becoming and dissolving.The movement duet is an allegory about how people act and relate to each other, and how that echoes into the environment. Our thoughts and actions influence the world, reflecting on consequences and how that influences identity, community, environment and our futures.“(Dance Cinema)
•
TRISTES DÉSERTS – A Robot´s Tale is the filmic-musical result from the baroque- and sci-fi-inspired collaboration between artist Stephanie Winter, tenor August Schram and electronic duo Austrian Apparel. Originating in the idea of an audiovisual realization of M.A. Charpentier's lyrical song "Tristes Déserts" and motivated by the constant interaction of image and sound, a baroque-intergalactic musical short film was developed, in which the boundaries between human and machine, between baroque music and electronic sounds become blurred. In a time dominated by artificial intelligence, the extravagant musical short film tells the story of a lonely baroque robot in a battle between good and evil, recalling the magic of the early cinema.
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